Note: Entries scored out are when the award was not handedOppenheimer, Jean (December 2010).
The King's Speech is een Britse film uit 2010 van regisseur Tom Hooper.De hoofdrollen worden vertolkt door Colin Firth, Helena Bonham Carter en Geoffrey Rush.De film won op het Filmfestival van Toronto de prestigieuze publieksprijs. Tijdens de 83ste Oscaruitreiking won de film vier Oscars, voor beste film, beste regisseur, beste mannelijke hoofdrol (Colin Firth) en beste origineel scenario
Instead, they found a high, vaulted room not far away in 33 Portland Place. He started writing about the relationship between the therapist and his royal patient as early as the 1980s, but at the request of the King's widow, After Bertie's father, King George V, broadcasts his 1934 George V dies in 1936, and his eldest son David ascends the throne as At an unscheduled session, Bertie expresses his frustration that, while his speech has improved when speaking to most people, he still stammers when talking to David, at the same time revealing the extent of Edward VIII's folly with Simpson. When Lionel insists that Bertie himself could make a good king, Bertie accuses Lionel of speaking Bertie and Lionel's relationship is questioned by the King's advisors during the preparations for his coronation in As the new king, Bertie is in a crisis when he must broadcast to Britain and the As the Royal Family step onto the palace balcony and are applauded by the crowd, a The Queen Mother died in 2002. American Cinematographer (American Society of Cinematographers) 91 (12): pp. He showed the finished screenplay to his wife, who liked it, but pronounced it too "seduced by cinematic technique". Netzkino bietet euch hier kostenlos und legale Filme in ganzer Länge an. The King's Speech is a 2010 historical drama film directed by Tom Hooper and written by David Seidler. Unwin reports that he received a four-page e-mail from Rush's manager admonishing them for the breach of etiquette, but ending with an invitation to discuss the project further.
His sister, In addition, Firth watched archive footage of the King speaking. His research, including a chance encounter with an uncle whom Logue had treated, indicated he used mechanical breathing exercises combined with psychological counselling to probe the underlying causes of the condition. She suggested he rewrite it as a stage play to focus on the essential relationship between the King and Logue. Eve Stewart, the production designer, liked the mottled, peeling wallpaper there so much that she recreated the effect throughout the entire room.The opening scene, set at the closing ceremony of the 1925 In developing his portrayal of George VI's stammer, Firth worked with Neil Swain, the voice coach for the film. After he had completed it, he sent it to a few friends who worked in theatre in London and New York for feedback.In 2005, Joan Lane of Wilde Thyme, a production company in London, received the script. The Duke of York actually began working with Logue in October 1926, ten years before the Robert Logue, a grandson of Lionel, doubted the film's depiction of the speech therapist, stating "I don't think he ever swore in front of the King and he certainly never called him 'Bertie'".Hugo Vickers, an adviser on the film, agreed that the alteration of historical details to preserve the essence of the dramatic story was sometimes necessary.
To achieve the effect, the lighting team erected huge blackout tents over the Georgian buildings and used large lights filtered through Egyptian cotton.Several events in the film did not happen, or were exaggerated. Seidler read about George VI's life after learning to manage a stuttering condition he developed during his own youth. The remaining profit was to be split equally between the producers and the equity investors.This article is about the film. Thus prepared, Seidler imagined the sessions. Three years later, Seidler returned to the story during a bout of creative work inspired by a recovery from cancer. H.M. King George VI from Buckingham Palace September 3rd 1939European Film Academy People's Choice Award for Best European Film For the stage play based on the film, see As the actor of the year in the film of the year, I can't think of enough adjectives to praise Firth properly. "Production Slate: A Future King Finds His Voice". He and cinematographer Danny Cohen used wider than normal lenses to photograph the film, typically 14mm, 18mm, 21mm, 25mm and 27mm, where the subtle distortion of the picture helps to convey the King's discomfort.At other times, the camera was positioned very close to the actors to catch the emotion in their faces: "If you put a lens 6 inches from somebody's face, you get more emotion than if you're on a long lens 20 feet away," Cohen said in an interview.Historical dramas traditionally tend to use "soft light", but Hooper wanted to use a harsher glare, which gives a more contemporary feel, and thus a greater emotional resonance.
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